The thirty-nine poems in this book, including the major ten-part sequence ‘Job's Second Happiness’, have been selected from Kamieńska's own selection of her work, Two Darknesses, and translated by two poets, one Polish. Tomasz P. Krzeszowski, and one English, Desmond Graham.
Krzeszowski is Professor of Linguistics at the English Institute, Gdańsk University, Graham Professor of Poetry at the University of Newcastle upon Tyne. He is well-known as the editor and biographer of Keith Douglas and his collection After Shakespeare made the return trip, having been translated into Polish in 2002.
Two Darknesses costs £5.95 and was published in 1994.
ISBN: 978-1-873226-08-7
Anna Kamieńska (1920-1986) was a prominent member of that particularly distinguished generation of Polish writers who experienced the Second World War as young men and women, many of whom died at the hands of the Nazis. During the war she taught in Underground schools in the Lubin region, having studied Education in Warsaw. She continued her studies after the War and subsequently became deeply involved in the literary life of the Polish capital, working on the important monthly magazine Creativity.
Her first collection of published poems appeared in 1945, and in addition to many collections of poetry during the next fourty years she published novels, short stories, critical books on Polish poetry, and translations from several languages. Among her volumes of poetry are On Happiness (1952), Job's Second Happiness (1974), and Two Darknesses: Selected Poems (1984), the last book she issued before her death. Her Notebooks appeared posthumously in 1987. In Poland Kamieńska's reputation as an important figure in twentieth-century literature is now secure.
Her work was deeply influenced by the War, the Holocaust, and the suffering of Poland, as well as by more personal grief, especially as a result of the early death in 1967 of her husband, Jan Spiewak, also a poet. Kamieńska is undoubtedly a religious poet yet she is also a technically and sylistically adventurous 'modern' poet. Although Biblical allusions and aspects of Catholic mysticism pervade her work, there is nothing predictably pietistic about it. She has been called a Catholic Existentialist, and her admiration for that great French 'patron saint of outsiders', the unauthodox Judeo-Christian Simone Weil who died during the War, is significant.
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